雕塑藝術(shù)--德國藝術(shù)家Gregor Gaida作品：《Attaboys》

雕塑藝術(shù)--德國藝術(shù)家Gregor Gaida作品：《Attaboys》

        德國藝術(shù)家Gregor Gaida的最新作品名為attaboys，表現(xiàn)了人類在占領(lǐng)一個(gè)環(huán)境之前的侵略和暴力行為。Attaboys的表現(xiàn)形式為兩個(gè)蒙面男孩用鋁在藝術(shù)畫廊的地板上挖了一條直線。

        German artist Gregor Gaida's latest work entitled Attaboys, continues his pre-occupation with violence and aggressive behaviour between us humans and our environment. Attaboys features two hooded boys fashioned out of aluminium digging up a line in the floor of an art gallery. 

        各種媒體上的視覺藝術(shù)往往給藝術(shù)家靈感，觀念借由圖像表達(dá)，并形成完美的構(gòu)圖。作品的共同性讓不同的人類有著不同的體會。提升的觀念在轉(zhuǎn)譯中獲得超出藝術(shù)家掌控之外的新生。作品形象往往是人類———–細(xì)致，形象逼真，但又虛幻。衣服，頭發(fā)，身體都清晰可辨，組合成的形象卻又神秘模糊和詭異。這些作品并不是傳達(dá)故事，他們更多的是提出問題，就像是貫通時(shí)間長河的寓言那樣。

        “The found footage is often no more than an impulse that is no longer discernible in the further development of the shape. Analogous to photography, my objects are three-dimensional snapshots. The characters are frozen in movement and often cropped along imaginary image borders. I transport the fragmented character of photos into the third dimension. Simultaneously, when dealing with color and options of shaping, painterly characteristics appear. Thus, the life-sized special interventions are formally attributed to sculpture but are equally part of painterly and photographic。 

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